Jamorama Download 8

Summary: Jamorama Download 8 - Part 1

Jamorama Download

Gori Ussi Winnetou / Kobra Je U Brajdi

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Review by Gears

Grungy dirty Croatian rock. Think of the Pixies fronted by a legend who sings in a made up language (mix of English, Croatian, Italian, and German) with a voice like Tom Waits and the looks of Frank Zappa. Most songs could be classified as straight up punk rock. Other songs have a stronger balkan folk music influence. Another little gem by our Croatian friends! We have a bunch of these guys cds in the library. Play them! Picks: 7,8,1,2,12 *** No FCCs *** *1. grungy, trudging bass, makes me wanna drink beer and get into a bar brawl *2. spoken intro then nice punk rocker: kind of reminds me of Greek band Trypes, anthemic chorus 3. more straight up rawk and rall, faster tempo here 4. version of 3: a demented piano bar parody 5. bluesy slow, fuzzy, nice... *6. faster, drums at intro, definitely like the pixies... **7. version of 6: with xylophone and piano, quite strange... **8. starts with a hard thudd thudd, but then changes into a kind of ska tempo with crazy organ sound. chorus sounds like surf rock. 9. acoustic version of 8, only vocals, organ, mandolin, spooky, ghostly sounding... like a circus theme... 10. nice driving bass, anthemic punk rock 11. slower, spoken vocals, very sludgy, grows in intensity *12. balkan folk rhythm rock and roll... interesting

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Date Published: Dec 27, 2011 - 5:52 am

Animal Collective / Merriweather Post Pavilion

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Review by Gears

Psychedelic pop. Ninth full length from this experimental NY based trio and boy is it good! For those of you who know AC well, just play any song without hesitation. For those of you who don't (like myself), here is a short description: these guys take all the pop elements from bands like the Beach Boys, the Beatles, maybe Piper at the Gates of Dawn era Pink Floyd, and some Syd Barrett, throw in some african funky rhythms and some cool electronic effects, add in a pinch of acid, mix it all in a shaker and: voila! Animal Collective! You have it all here: treated multilayered guitars and electronics, pulsating bass, kick ass percussion, and an excellent vocal delivery by both lead singers. PLAY IT, PLAY IT, PLAY IT! Picks, 2,4,8,10,11 *** No FCCs detected *** 1. strange throbbing intro into blissful psychedelic pop trip. abruptly explodes with energy in the middle, makes me wanna dance *2. swirling intro melody, beat picks up and backing female vocals, an anthem for a sunny day 3. more reverb, psychedelic bliss, pulsating bass *4. nice dancey intro pulse, crowd samples, lots of effects 5. nice little organ sound, a slower piece 6. slow dreamy start... pulsating synth sound, spacey... 7. nice intertwined vocal delivery, another little pop gem *8. nature samples at intro, very droney... pure bliss 9. didgeridoo sample (?), kind of tribal rhythm *10. more quiet, chilled, wow, i love this record... *11. strong african influence, another great dance song

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Date Published: Dec 27, 2011 - 5:52 am

Clayton Brothers, The / Brother To Brother

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Review by Fo

CLAYTON BROTHERS: Brother to Brother artistShare, 2009 CLASSIC JAZZ – The Clayton Brothers (John, bass & Jeff, alto sax) pay tribute to some of the great brother acts in jazz, particularly the Adderleys and Hank/Thad/Elvin Jones. They were clearly inspired by the concept: this disc swings with verve, and it’s good fun. * * * * | Fo’s Picks: 2, 4, 6... maybe 1, 5 1. 7:50 – funky strut dedicated to Elvin Jones; bluesy solos 2. 10:23 – catchy blues march, soloists bring plenty of grease 3. 9:15 – interesting rework of a classic: slowed-down and tackled sideways 4. 7:29 – bouncy Adderley-style hardbop groove, good swinging solos 5. 9:38 – bass/piano feature: warm, low and lazy... niiiice 6. 4:24 – novelty storytelling song, good-natured and goofy 7. 6:45 – sweet ballad... too sweet, actually... 8. 7:48 – upbeat rolling groove, well-crafted harmony & solos [ Fo ] 02/13/09

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Date Published: Dec 27, 2011 - 5:52 am

Léandre, Joëlle & Àkosh S. / Kor

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Review by Fo

JOLLE LEANDRE & KOSH S.: Kor Leo, 2008 IMPROV – Far-out duets between bassist Leandre and reedist kosh Szelevnyi, a mix of the sparse intimacy you’d expect from a duo and a surprisingly full, multi-layered sound spiked with vocal growls and grunts. Bristles with raw energy... this will definitely get their attention. * * * * | Fo’s Picks: 1, 2, 6, 7 1. 13:28 – bowed bass & clarinet overlap like a chorus of frogs; barks & squeaks; 2nd half very quiet w/bell, big pauses, then screeching sax 2. 9:00 – starts with rustling/breathing/groaning; then sax tiptoes, skronks & screams over churning waves; becomes calm, then downright evil 3. 1:59 – plaintive horn wails over low bass drone, like a muezzin’s call 4. 5:27 – vibrating flute drone interacts with high bass squeaks 5. 14:00 – melodic solo sax, then close interplay with thin bass (like two flies, aimlessly buzzing). Becomes skittery, then pained, very quiet at midpoint, then inquisitive in second half... ends on a drunken note 6. 3:13 – impressively creaky bowed bass solo: remarkable free technique 7. 4:21 – low drone with whispers; becomes quicker/more sinister, settles back [ Fo ] 02/13/09

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Date Published: Dec 27, 2011 - 5:52 am

Stein, Norbert / Pata Generators / Direct Speech

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Review by Craig Matsumoto

Playful jazz, a medium sized combo with lots of horns. Mostly upbeat, but with some free-jazz tendencies -- I'm reminded of old TV jazz with a drunken warble to it. Tracks are upbeat with an almost tropical/calypso feel to the way the horns are written. Quite accessible and nicely creative. 1- Freeform intro with spoken chatter. Free, grumpy sax solo. Nice midtempo ending phase 2- Upbeat, finger-snappin' goodness. 3- Like a fast magic puppet theme, plus angular jazz lines. Open-ended, avant-garde soloing. 4- Mid/fast, snappy bass/drums with lush horns. 5- Mid/fast, chugging theme. 6- Happy. Kind of like a '50s TV theme, in goofy off-colors. Calm midtempo pace. 7- Drunken sorta-tropical theme. Warbly, playful. Cool exotic flute solo. Ends with chuggy, chattery writing. 8- Free-jazzy. Silly swinging theme; some nice open soloing 9- Lower-key, but fairly fast. Nice post-bop sound, not silly. Drum solo. Angular themes to end it. 10- Upbeat chugging 11- Mysterious and creeping. Growly middle, improvvy.

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Date Published: Dec 27, 2011 - 5:52 am

Harper, Billy / Blueprints Of Jazz: Vol. 2

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Review by Fo

BILLY HARPER: Blueprints of Jazz, Vol. 2 Talking House, 2008 MODERN JAZZ - This muscular Coltrane-school postbop & poetry set proves that saxophonist Billy Harper remains a powerful creative force. The music has a retro-but-edgy “black consciousness” feel, with unpolished rhythms and intonation just outside the comfort zone of mainstream jazz. And Amiri Baraka’s jazz history poems fit perfectly. * * * * | Fo’s Picks: 2, 3, 5, 8, 9 1. 16:43 – awkward theme turns heavy & passionate with a great Amiri Baraka poem about black history (music based on two Coltrane tunes) 2. 9:06 – DEEP jazz history poem over a lopsided yet soulful stride... whew! 3. 4:33 – thumping midtempo, simple but compelling theme & killer drums 4. 5:37 – soulful ballad: sax/piano duet, adds wordless vox & synth 5. 5:15 – thoughtful midtempo: direct horn statements & gospel-tinged piano 6. 7:46 – plodding theme, but sax & trumpet solos have fire in the belly 7. 4:04 – Harper sings! Right outta the church, includes overdub duet w/sax 8. 12:27 – it’s all in here: sturdy theme, fiery horns, heavy chords, spirit & soul 9. 6:15 – perky hardbop and another spoken-word lesson in jazz prehistory [ Fo ] 02/13/09

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Date Published: Dec 27, 2011 - 5:52 am

Pietro, Dave / Chakra Suite, The

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Review by Fo

DAVE PIETRO: The Chakra Suite Challenge, 2008 WORLD/JAZZ – Friendly suite incorporating elements of Indian and Brazilian music, with lots of odd meters and an airy contemporary feel. Guitarist Rez Abbasi provides his usual sinuous touch, while Pietro mixes it up on various saxes. The most heavily Indian-leaning tracks (like #7) are generally more compelling, but it’s all well-played. * * * | Fo’s Picks: 1, 3, 7 1. 7:51 – delicately spinning feel, nice guitar, then tumbling under exotic sax 2. 7:25 – light bossa jazz, a soft breeze with fragile middle section 3. 6:32 – upbeat: tightly entwined sax & guitar, then undulating solos for each 4. 8:07 – softly shimmering ballad: bright sax, quiet bass solo, picks up at end 5. 6:34 – Brazilian rhythm: perky sax solo, sneaky accordion 6. 2:25 – slow, droning introduction to... 7. 7:08 – cool, exotic: “sitar guitar,” accordion, 11-beat cycle, vocal percussion 8. 8:04 – tinkly intro, relaxed ballad with a straight jazz feel, lifts at the end [ Fo ] 02/13/09

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Date Published: Dec 27, 2011 - 5:52 am

Lewis, Jenny / Acid Tongue

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Review by Gabe Gopen

Jenny Lewis is the heartthrob, former child actor who fronts Rilo Kiley. On this solo effort, she employs many famous and talented friends to contribute to lush pop songs. The good news is the songs stand up well and the all-star accompaniment blends fairly well. Elvis Costello guests and several musicians from the Impostors appear. Genre hops from country to blues to pop with many tracks backed by strings. All FCC Clean 1. (2:54) Somewhat repetitive piano driven number builds as it adds strings ***2. (3:47) w/ M. Ward on guitar. Sweetly sung melody over acoustic guitar. 3. (8:45). Bluesy electric guitar and driving beats accompany soulful vocals. Apparently, Jenny’s dad wasn’t the best. 4. (3:41) A veritable torch song with piano strings 5. (3:50) Heavy on the rhyming, this acoustic guitar driven number with a harmonized choruses tells Lewis’ tale of early drug use. ***6. (3:34) Driving, bluesy rock song with and surf guitar feel and strong chorus. 7. (4:33) Soulfully sung ballad with piano strings. ***8. (3:34) w/ Elvis Costello. Catchy pop number with Lewis and Costello trading verses. 9. (3:07) Lewis and female back-up signers (Jenny’s sister, Zooey Deschanel) belt out this soul tune over strings and piano chords. *** 10.(5:27) Piano blues, gospel chorus then a southern fried rock meltdown. 11. (4:09) Really heavy sentiment that goes over the top. Skip it.

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Date Published: Dec 27, 2011 - 5:52 am

Hudson, Nick / Elegy, The

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Review by Walter E. Gogh

A beautiful collection of solo home-recordings consisting of haunting melodies often coarsely reflecting on death. Hudson plays guitar on all of the tracks, adds other instruments which also plays himself and over-dubs his own voice for backing vocals. Combines the simplicity singer-songwriter elements with recording tricks. Fun facts: After self-releasing 13 albums, this is Hudson’s 1st to be put out on record label. Says he wrote the record to keep from killing himself. Also a published author. FCC Violation on track 4. ***1. (6:36) Fingerpicked guitar with over-dubbed choruses. Haunting in tone. 2. (3:35) Woodblock keeps time over acoustic guitar strumming and wordless chanting. The album’s liveliest track. 3. (4:48) A constant stream of rhyming couplets over a gently strummed guitar. 4. (6:28) FCC warning: audible swear word. A dark song with Hudson accompanying himself on vocals. 5. (3:11) Accoustic guitar instrumental. ***6. (9:00) A witty, winding ballad. Sparse and moving. 7. (4:21) Instrumental finger picked guitar. ***8. (4:40) Haunting, finally captured vocal broken apart by intentional studio noise and clicking. Don’t adjust your dials. 9. (3:55) A bluesy-guitar lines with over-dubbed vocals.

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Date Published: Dec 27, 2011 - 5:52 am

Byrne, David & Brian Eno / Everything That Happens Will Happen Today

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Review by Walter E. Gogh

Byrne & Eno get back together to work on some of Eno’s spare instrumental tracks that Byrne put lyrics to (read the liner notes if you want the whole story). Elaborate production but not the ambient weirdness you’d expect from Eno. Goes from melodic songs to electronic beats. Byrnes lush vocals fill up every track. FCC Violation on track 2 ***1. (5:06) Strumming guitar and electronic noises with Byrne’s anthematic vocals. 2. (3:19) FCC warming: audible swear word. Guitar and piano backbone to ballad with a country/ western feel. 3. (6:24) Dissonant piano notes and tribal beats hold up xenophobic sing-speak verses and chanting choruses. The talk-rap fails to deliver even when boosted by guitar power chords. ***4. (3:43) Strummed electric guitar and tinkling piano keys segue into melodic verses and big choruses. 5. (3:43) Funky rhythms and multi-layered instrumentation sound tastefully and self-reflectively dated. 6. (2:26) Feels very Talking Heads. Tale of everyman sung over multi-tracked instrumentation. ***7. (4:16) Self-reflection about the disco rhythm “This groove is out of fashion. These beats are 20 years old. The single if there was one.” Don’t shy away just because it’s got catchy sing-a-long choruses. 8. (5:06) Downbeat electronic beats, the most head-boppin’ of the album. Harmonized choruses and big, full sound. ***9. (4:54) Melodic vocals over a steady beat and strummed guitars. 10. (4:17) Aggressive electronic beats and noise with synth-altered vocals of Byrne switch from high to low and left to right. Electronic sounding horns punch it up. 11. (3:46) The big, sweeping, melodic ender.

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Date Published: Dec 27, 2011 - 5:52 am

O'connor, Mark's Hot Swing Trio / Live In New York

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Review by Decca

Wonderful mix of old standards and originals, gypsy jazz at heart, but with a contemporary flair and even hints of chamber music. Expertly played by O’Connor on violin, Frank Vignola guitar and Jon Burr bass. Energy, style, class. It pays homage to gypsy jazz but takes a fresh pass at it. Watch for applause. *1. Sweetly swinging, bright, w/good solos & a no-frills style. *2. Starts midtempo, gets fast & furious. O’Connor smokes on this one! 3. Like a sleepy Southern summer, lyrical & languid. Bayou-esque. 4. Starts slow, picks up, gets lazy again. The classic updated. 5. Midtempo rag w/sweet violin in a restrained arrangement. *6. Midtempo, quirky contemporary gypsy jazz swing. *7. Slow, plaintive, like a pioneer’s song of home. *8. Upbeat toe-tapper with a Romany folk flair. So good! 9. Relaxed classic, sleepily charming and stylish. 10. Mid/upbeat w/some wicked fast strings. Yow!

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Date Published: Dec 27, 2011 - 5:52 am

Adams, Ryan & The Cardinals / Cardinology

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Review by Walter E. Gogh

Cardinology goes from twangy “alt-country” songs to soulful ballads with Adams’ songwriting and voice at the center of each track. Themes of hope, healing and heartache prevail. The melodies and the musicianship are consistently strong. Adams’ lyrics get lost in themselves at times. All FCC Clean 1. (2:17) Twangy and hopeful ditty built on acoustic guitar. *2. (2:56) Rocking, soulful with pedal-steel guitar, backing vocals and pianos. *3. (2:58) Big guitars and big vocal lines. 4. (2:18) Crunchy hard rock guitar line, a little “we didn’t start the fire” wordplay.” Catchy, but not painfully so. *5. (3:57) Countrified rock number with multilayered guitars. 6. (4:21) Pedal steel and guitars build up to sing-a-long chorus. *7. (2:43) Stripped-down acoustic guitar and piano vocals. Simple yet powerful. 8. (3:38) Ballad leaning towards the sappy side. 9. (3:42) Piano and pedal steel mix nicely but the wordplay gets a little too cute. 10. (3:35) Choruses sung in harmony. Song has a very light touch. 11. (2:31) Very easy-going throwaway track. 12. (5:34) Heavy drug-kicking work-it-all-out song. Pulls out all the musical stops.

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Date Published: Dec 27, 2011 - 5:52 am

Adams, Peter Bradley / Leave Taking

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Review by Basil

Peter Bradley Adams “Leave Taking” Subdued folk/alt-country composed of soft male vocals (Elliott Smith-like), peaceful piano, acoustic guitar and occasional country instruments (banjos, anything else that twangs). A soothing, gentle country album with generally un-clichd love songs. NO FCCs 1) Country-infused folksy guitar chords; sprinklings of piano & female vocals 2) Slow, melancholy piano about L.A. “healing broken hearts” 3) Empowered post break up song; Upbeat pop-country; twang guitar,banjo 4)** Acoustic guitar, enchanting chord progressions; v. cute lyrics “she kisses the scar on my chin”; some female vocals 5) Mellow modern country ballad; Nice banjo solo in the middle of the song 6) **very soft & slow; simple acoustic guitar ballad; super subdued but quite beautiful 7) voice sounds like its coming from a loudspeaker; relatively upbeat; about change 8) acoustic guitar song about rain; simple country chord progressions/structure 9) ***instrumental: lovely mournful violin, sad piano; ends w/ 0:12 left (2:24 total)

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Date Published: Dec 27, 2011 - 5:52 am

Frontier Ruckus / Orion Songbook, The

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Review by Basil

Frontier Ruckus “The Orion Songbook” Young hipsters from Michigan play a folksy, indie breed of bluegrass music. “Alt-country” at its finest, with some experimental, spidery banjo lines & poetic, kooky lyrics (“your tight skin confessed not a vein in your chest”). Singer’s voice is distinct: harsh & heartfelt with a sense of immediacy (a la Neutral Milk Hotel, The Decemberists). Worth a listen, even if just to hear a musical saw in action! No FCCs (“son of a bitch” on #9) 1) Explores his vocals in a soft song of both love & remorse 2)** Refreshingly sporadic percussion with some impressive banjo 3) ***Spooky duet w/ female; yearning harmonica, aggressive piano & some haunting musical saw. Sounds like Halloween! Lyrics: “if only you knew what you are” 4) Sufjan Stevens meets the banjo – result is sadly unexceptional 5)*** Banjo, horns lead this upbeat, jubilant bluegrass fun-fest; ends w/ :05 left 6) Desperate song; vocals cry out, horns shine w/ deep gloom of New Orleans 7) slow, acoustic guitar song; more folk than country; voice is v. Neutral Milky 8) banjo plucks gingerly alongside acoustic guitar & great piano palpitations 9) ***“SON OF A BITCH” forceful percussion, really rumbly voice, nice horns 10) starts out with some haunting musical saw & harmonies; slow acoustic strums 11) **blend of upbeat folk and spooky musical saw; small town lyrics 12) easy-going travel song about going home, nostalgic banjo solo & harmonies 13) **Builds to a nice hoe-down in the middle; banjo lick guides the rest; Tour de force that highlights all of their instrumentation (6:55) 14) artful acoustic guitar; slow ballad to end the CD Bailey Richardson baileyr@stanford.edu

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Date Published: Dec 27, 2011 - 5:52 am

Gori Ussi Winnetou / So Sprach Milan Rakovac

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Review by Basil

Gori Ussi Winnetou “So Sprach Mil...” Songs progress in cabaret-esque stylistic cycles, moving from calmer, often folksy music w/ thick, belly-rumbling male spoken vocals to hard rockin electric guitars & bellowing yells. Theme of repeated vowel sounds in choruses. Sings in a mix of languages (Italian, Croatian, English, German) & singer called “the Istrian Frank Zappa” NO FCCs 1) Doom vibe of bone-crunching guitars, descending pianos; calms down to a chipper, harmonized kumbaya sound (7:03) 2) **Talking over crunchy guitars & cymbals about fascism & Baldini (6:13) 3) Peppy mix of polka & country; cowbell, harmonica progress to harder electric guitar (6:47) 4) Starts out slow w/ nirvana-esque guitars, “bam bahm” pounding harmonies, sounds of mourning, yearning (8:03) 5) Up-beat guitar lick drives song a la rage against the machine; fast & hard rockin; ten dead seconds at end (4:31) 6) rumbling drums & spoken diatribe; sparse harmonica, guitar; fades for last 0:50 (10:28) 7) *upbeat; punk guitar, relentless drums, hummed classical chords; last :05 are empty (4:12) 8) * chants, punctuated guitar & drums; slows for a bit; ends w/ :07 to go (7:11) 9) crunchy guitars, slow & steady drums; picks up tempo halfway thru (6:59) Bailey Richardson baileyr@stanford.edu

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Date Published: Dec 27, 2011 - 5:52 am

Feed: Jamorama Download 8 - Part 1 - AggScore: 45.6

Summary: Jamorama Download 8 - Part 1

Gori Ussi Winnetou / Kobra Je U Brajdi

Animal Collective / Merriweather Post Pavilion

Clayton Brothers, The / Brother To Brother

Léandre, Joëlle & Àkosh S. / Kor

Stein, Norbert / Pata Generators / Direct Speech

Harper, Billy / Blueprints Of Jazz: Vol. 2

Pietro, Dave / Chakra Suite, The

Lewis, Jenny / Acid Tongue

Hudson, Nick / Elegy, The

Byrne, David & Brian Eno / Everything That Happens Will Happen Today

O'connor, Mark's Hot Swing Trio / Live In New York

Adams, Ryan & The Cardinals / Cardinology

Adams, Peter Bradley / Leave Taking

Frontier Ruckus / Orion Songbook, The

Gori Ussi Winnetou / So Sprach Milan Rakovac

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