Countless photographers like to shooting images and the majority
are hoping to take beautiful pictures but not everybody seriously
considers and carries out all the steps that would significantly
improve the technical quality of their pictures. Here are 10
techniques you should implement.
1) Use of a tripod to greatly help remove camera movement which
often occurs with a hand held camera.
2) Use of a cable release to reduce on the amount of vibration
that normally otherwise occurs at long shutter speeds. In the old
days these were simple but these days they are electronic.
3) Select the facility on your DSLR to use mirror lock up and
notably cut down the movement as a image is taken. Any movement
that occurs while a photo is created produces image softening and
should be eliminated.
4) When possible always try to use at the best aperture for the
lens. This is typically about F11 on most lenses. Small apertures
such as F16 are generally softer. Large apertures such as F4 are
also usually not so detailed.
5) Always ensure that your lenses are absolutely clean with no
dirt that might impair final image.
6) Make sure select the slowest possible ISO on your camera
because this will reduce the quantity of picture noise and
guarantee the highest possible file quality with maximum detail
rendering.
7) Using a lens-shade will control any stray light from hitting
the lens surface and causing flare, which will innevitably
degrade the picture quality.
8) Purchase the best quality lenses you can manage, since budget
priced lenses will always be quite poor in anything less than
ideal conditions and using all the practices detailed above. The
Schneider lenses are well known for their superb optical
performace.
9) Try to take photographs when the light is crisp and pure on
sunny days. It is also a good plan to shoot during the early
morning when the natural light is especially intense. Shooting in
grey weather will heavily degrade the sharpness of your pictures.
The illumination at the end of the day is soft and warm but not
perfect for producing the sharpest possible images.
10) Ensuring the perfect light reading is important to guarantee
that your images are as good as possible. Over exposure may lead
to ruined highlights with little information. Under exposure can
produce terrible file noise levels in the shadow areas. To
achieve the best possible exposures I suggest making use of a
hand held exposure meter such as a Gossen.
By employing the steps above you should find a substantial
improvement in sharpness of your images.
There are many places where you can find a suitable model to work
with, whether for beauty, fine art nudes or general glamour.
The primary and most straightforward place to look will be an
established agency for models, where you are likely to find
experienced models that are suitable for your individual
assignment’s needs. This is my first option in general and the
majority of professional photographers look for models.
As an alternative there are Internet sites where photographers
and models regularly get together through the internet. These are
large sites where people upload images, make contacts and try to
improve their portfolios etc. This is definitely not my first
chosen way of looking for models, since I tend to think they are
far less reliable on the whole and consistently not aware of
normal business practices; making up their own rules as they
please.
The most frequent issues with models found through the Internet
are final minute cancellations or simply deciding to disappear
without a word, which could leave you on the day with the
conundrum of an expensive studio and makeup etc. but nobody to
shoot!
When shooting artistic nudes don’t forget venues such as dance
schools where you can often find very interesting potential
subjects. As dancers they will generally be in amazing shape and
move with a flowing grace, which can assist you to produce some
really special photographs. In some cases the photographs can
actually be better than those produced with professional
models.
Athletes and gymnasts are undoubtedly very much worth thinking
about given that they are usually understandably confident about
the condition and shape of their body, so they are less likely to
be uneasy in front of the camera.
When shooting glamour photography, some photographers look for
possible subjects at glamour workshops or strip clubs but as
always I would always choose to use a professional model from an
established agency wherever possible. There are a thousand tasks
you have to get right on the day of the shoot so I would always
rather go with the less tricky option than risking the
unknown.
Irrespective of where you look for a model and whomever you work
with, always endeavour to have a friendly and polite yet always
professional manner in your work with other people. As a final
point, always ensure that any model you hope to work with is not
under 18.
glamour
photography
Only a small number of photographers have tried using candles as
a source of lighting in their nude photography; however it’s a
very interesting source of light that creates a soft and very
particular effect. For obvious reasons you will find that candles
don’t produce a significant amount of light, so you will require
a quite a lot to lift the overall brightness to a usable level
and be willing to shoot with slow exposure times, so a tripod is
absolutely essential and a cable release would also be useful.
You may also use the mirror lock up facility if you have this
option on your digital camera. Make sure those candles are
positioned in safe positions where nothing will catch on
fire!
Since your exposure time will probably be many seconds, it’s
important that you locate a place for your subject that is
comfortable and allows her to stay reasonably still or you risk
having photos with undesirable blur from the subject’s body
movement. It’s that slow exposure time however with the gentle
movement of the candlelight that delivers the special final
effect.
When preparing your setup, take a moment to consider the
different lighting effects as you shift your candles into
different locations and study the changes between highlights and
shadows. After you find the right look try one or two test shots
to see how the image looks and ask yourself if you have to make
any changes. Since candles have a rather warm colour balance you
will almost certainly want to perform a custom white balance with
your digital camera using a white piece of card.
A handheld light meter can also be used for measuring brightness
in different areas of the image. Accurate measuring of the
illumination is important to avoid burned out highlights or
shadows with no detail and if you have a computer at your
disposal you can download a few test shots to check them using
Photoshop before you continue with the main shoot. Always shoot
in RAW mode if you have this option available because it will
produce superior quality images and permit you to make more
enhancements at a later stage during postproduction.
After you have taken your photos and saved them on a computer you
now have the option to work on the final effect where you can
choose if you want to have the image in colour or black &
white, along with other changes you can make to noise levels,
contrast and other areas. One of the wonderful advantages of
working with candles is that the lighting is very flattering to
female skin, so that should reduce the amount of skin retouching
you need to do. Have a try and discover how amazing candlelight
can be for creating professional nude images .
nude
photography
Digital Photography is relatively fresh. (II decades to be accurate) compared to its film peer and has without question brought photography to the masses through the respective formats and platforms available.
Digital cameras are simpler to use. Indeed you can just about open the box and start shooting without even picking up a manual should you wish which could not always be said in the days of film cameras.
The innovative new digital cameras and lenses are packed with technology that help you avoid some of the pitfalls of Digital Photography such as histograms to check for any exposure errors and image stabilizers to help avoid camera shake, ensuring sharp images even in less than perfect light.
Most people feel that after the inital investment of buying the camera and lenses that their photography is now cost free but that is not the case unfortunately. Even after purchasing further accessories like software, tripod, bag, memory cards, extra lenses etc. you still have to think about long term secure storage of your images.
In the days of film, negatives or transparencies where essentially very easy and cheap to store but with digital photography this can be a little more complex if you really want to protect your valuable pictures.
In an ideal world you want to keep your images at the very least in duplicate form, perhaps one set of images on DVD stored in a location other than at your house and another set of the same images on an external hard drive. This ensures you have a duplicate safely maintained against unfortunate events like fire, theft or flood at seperate locations with an additional set usefully on hard drive available for speedy retrieval when needed.
So digital photography, although a fantastic new medium does have a few extra costs that may not be immediately plain and we have not even started to speak about computer equipment which can require a whole lot more cash depending on how serious you are about your photography.
I’m talking about printers, ink a good calibre monitor and the calibration tools required to make certain that what you see on screen will match any prints that you may wish to produce. The new high resolution DSLRs also require higher quality more costly lenses than cameras from when film was the standard medium.
Painting with light gives you sensational images that are completely unique and are straight forward to produce when you know the right technique to do so. Light Painting in digital photography can turn the most mundane object into a stunning image that is wholly unique.
What you do in effect is literally paint with light when creating such images using a light source such as a torch. In order to be able to capture the best effect with this technique you can use the following tips:
Painting with light is literally painting an object with a light source such as a torch or flashgun. The technique is simple if you follow a few simple guidelines. Using a light source such as a flashgun or torch you illuminate the scene and paint it. Here are a few thoughts to help you.
A sturdy tripod is a must as the exposure times needed prohibit hand holding the camera.
The subject you wish to shoot and its size will more often than not determine your choice of light source. For landscapes and other large subjects such as buildings a torch between 1-5 Million candles will normally be sufficient.
Another necessity is a handy light source that you can use to assist you while setting up the camera and packing it away. Ideally a headband mounted torch is ideal as it enables your hands to be free.
Complete darkness may sound like an basic tip but light spill or light pollution as it’s commonly known from distant roads or street lamps can sometimes ruin your images.
Tips For Light Painting.
Firstly you should find a location that is ideally away from any light pollution, like a street lamp. Get in place early while there is still ambient light and set up your camera for both focus and composition then lock it down securely.
Exposures commonly will start about 30-45 minutes after the sun has gone down when exposures are long enough to allow time for you to paint the scene. Apertures can range from F2.8 to F16 depending on the scene and you should allow yourself a good 60 seconds or so to paint the subject.
By its very nature, Black And White digital photography is a type of artwork that takes a lot of time and experimentation to learn as it requires dealing with a number of challenges. Whilst there’s no actual colour to play with, lights, contrasts and framing become highly crucial in achieving excellent photographic results and in the era of digital photography, post processing will help you get there.
But foremost, you should take advantage of your camera and its capabilities to shoot images that are predisposed towards a black & white rendering process to be finalized through your photo processing software. Here are several quickpointers to do that:
Always shoot in RAW and if possible in color – since it gives you most mastery and most information to use and work with in post processing. Even when you shift to black & white from your camera settings, shooting in RAW will maintain every piece of data - including colors - and will make your developingwork easier.
Always photograph with the lowest achievable ISO – to nullify increased image noise that invariably occurs when converting your images to black & white. Even if you love the feeling of film given by granulated images, you can always add this result in developing, but it’s incredibly hard and time consuming to withdraw it.
Take advantage of low contrasts – it’s said that gloomy days add an extra something to your captured images, giving a sense of softness and mildness to the end result of your black & white story.
Use the available light wisely – shadows, highlights and different tones will make the variation in a black and white photo.
Use framing wisely – to accentuate your most vital subject that will grab the viewer’s interest in your black and white image. Use foregrounds and backgrounds to make depth and give more substance to your main subject.
These of course are just a few fleeting tips to introduce you to Black And White Digital Photography.
For the last few years there have been numerous different modes
of exposure on new digital cameras. These include choices for
manual, aperture priority, shutter priority and full program,
along with some choices such as sports mode in program that
alters the settings to favour faster shutter speeds to freeze
fast action sequences.
In manual mode the photographer has to choose both the shutter
speed and the aperture. This is more advanced than other modes
but gives the greatest flexibility. It allows the photographer to
maintain total control over the brightness of the picture. It is
particularly popular by advanced photographers who want to
maintain total control and is also the common choice when
shooting in the studio.
In aperture priority the photographer chooses the aperture he
wants to use depending on how much depth of field is desired in
the image. Although the camera will alter the shutter speed to
maintain the correct exposure the photographer still has to make
sure the combination is acceptable for sharp images. Landscape
photographers often like aperture priority because control over
depth of field is essential to achieve the best possible
result.
Shutter priority functions in the opposite way to aperture
priority i.e the shooter chooses the shutter speed and the camera
chooses the appropriate aperture for the correct exposure. This
mode is very popular with action photographers, who often decide
that the shutter speed is the most important factor they have to
consider.
Program mode is essentially full automatic. That means the user
leaves all the exposure decisions to the camera and just presses
the shutter button. This allows the user to focus totally on the
composition and subject without worrying about the exposure. This
is particularly popular with amateurs who are not yet sure about
the exposure choices or even professional users who sometimes
just want to focus on the subject and don’t have time to consider
other problems.
Many years ago most shooters thought that serious photographers
only worked in manual mode however this is not really true
nowadays. The best exposure mode is the one that allows you to
get the picture.
In addition to the exposure modes, most advanced digital cameras
also have exposure compensation, which permits the user to
compensate for diverse lighting conditions that normally trick a
built in camera meter. In snow scenes for example light meters
tend to underexpose, so the user can use exposure compensation to
correct this problem and still continue to work in automatic or
program mode without being obliged to use manual.
When a photographer is first learning about photography it is a
good idea to experiment with all the different choices to learn
how they work then later on it will be easier to make the correct
decisions that will all help to produce the best possible
photographs and turn the photographer into a true master.
Above all it is most important to take lots of pictures so that
you improve as a photographer and learn something every day. If
you are one of those photographers who invariably shoots
everything in program mode try some of the other modes to gain
more control over your images.