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If you are going to have a recording studio where you record voice or you plan on doing some singing live, you are going to need to have some good vocal microphones. The only problem is that choosing the right ones can definitely be a bit confusing with all the different microphone choices that are out there today.
There are various configurations, brands, and price ranges to consider, so finding the right option can take some time. Here is a look at some of the steps you can follow to find the perfect option for your needs.
First of all, when you're choosing vocal microphones, it's a great idea to go with options that have a dynamic pickup. These options have a special diaphragm that has a moving coil that is attached, which processes the sound waves. These microphones are quite sturdy and do an excellent job processing voices.
It's a good idea to take some time to experiment with the various options that are available. Consider the voices that will be using the mics and see which mics actually work the best with different types of voices. Some microphones may sound great for one person's voice, but a different option may sound better with another person's voice. Matching the mic to the singer is a great idea.
Check out the cardioid pattern microphones as well when considering vocal microphones. These mics emphasize the warm bass undertones in the voice of a singer. It provides a sound that is rich and warm. One of these microphones should be places rather close to the singer, and they can make vocals sound incredible.
Consider whether or not you'll want to go with wired or wireless microphones as well. Both have pros and cons, so think carefully about your specific needs. Although wired mics may be great in the studio, they may not be as helpful in live performances. Keep this in mind when trying to choose mics for vocals.
Of course, your budget should be considered as well when trying to pick out the right mics for doing vocals. There are many great options that are available for prices that are reasonable. Know your budget before you begin shopping so you don't go over budget. Whether you have a lot to spend, or you are on a tight budget, there are some high quality options to choose from.
Vocal microphones come in many different options, and you'll definitely need to choose very carefully when you are making your purchase. With these easy steps in mind, you'll be able to make a wise choice that will work well with your current vocal needs.
Article Source: http://EzineArticles.com/?expert=Robbie_Bishop
Great place to check out is Guitar Forum
There are various configurations, brands, and price ranges to consider, so finding the right option can take some time. Here is a look at some of the steps you can follow to find the perfect option for your needs.
First of all, when you're choosing vocal microphones, it's a great idea to go with options that have a dynamic pickup. These options have a special diaphragm that has a moving coil that is attached, which processes the sound waves. These microphones are quite sturdy and do an excellent job processing voices.
It's a good idea to take some time to experiment with the various options that are available. Consider the voices that will be using the mics and see which mics actually work the best with different types of voices. Some microphones may sound great for one person's voice, but a different option may sound better with another person's voice. Matching the mic to the singer is a great idea.
Check out the cardioid pattern microphones as well when considering vocal microphones. These mics emphasize the warm bass undertones in the voice of a singer. It provides a sound that is rich and warm. One of these microphones should be places rather close to the singer, and they can make vocals sound incredible.
Consider whether or not you'll want to go with wired or wireless microphones as well. Both have pros and cons, so think carefully about your specific needs. Although wired mics may be great in the studio, they may not be as helpful in live performances. Keep this in mind when trying to choose mics for vocals.
Of course, your budget should be considered as well when trying to pick out the right mics for doing vocals. There are many great options that are available for prices that are reasonable. Know your budget before you begin shopping so you don't go over budget. Whether you have a lot to spend, or you are on a tight budget, there are some high quality options to choose from.
Vocal microphones come in many different options, and you'll definitely need to choose very carefully when you are making your purchase. With these easy steps in mind, you'll be able to make a wise choice that will work well with your current vocal needs.
Article Source: http://EzineArticles.com/?expert=Robbie_Bishop
Great place to check out is Guitar Forum
Date Published: Oct 14, 2009 - 11:30 am
Chord inversions are one of those things that often seem a lot more complex then they really are. A lot of guitar players push off learning how to play chord inversions on guitar because they think it is too complicated for them. In this lesson I will try and break down what chord inversions are and show you how to play a few of them. And once you understand what chords inversions are you will be able to figure out all sorts of them on your own.
Here it goes:
What is a chord inversion?
Unless you know chord inversions, which for this lesson I am assuming you don’t, the chords you are used to playing are all in “root position”. This means that the tonic of the chord is the lowest not (the bass note) of the chord. So, for example, in an Cmaj7 chord the bass note of the chord is C. But whenever a note other than the root (tonic) is the bass note, then the chord is an inversion. Make sense?
As you know, most chords are played with three or four notes on guitar. That means that besides the tonic, there are at least two to three other notes that can bee in the bass position. (For example a C major chord is C, E, G. Besides C there are two other notes that can be first. Cmaj7 is C, E, G, B. Besides C there are 3 other notes).
How to make chord inversions
There are three common chord inversions and they’re called first inversion, second inversion and third inversion. In first inversion the 3rd of the chord is the bass note. (It’s called first inversion because the 3rd of the chord is the first note after the tonic). In second inversion the 5th of the chord is in the bass. (Called second inversion because the 5th is the second chord tone after the tonic). And third inversion has the 7th as the bass. (Called third inversion because….well, you get the idea). Not so bad too far, is it?
The drop-two voicing
Before we look at how the three chord inversions are, this would be a good time to make sure you know what “drop-two” chord voicings are because we are going to use them to build or chord inversions to make them easy to play on guitar. So take a moment to read my post on drop-two chord voicings and them come back to this post and continue where you left of. If you already know what a drop 2 chord voicing is then just keep reading.
Playing chord inversions on guitar
Ok, back to the three Cmaj7 chord inversions. Ok. So the notes of Cmaj7 chord are C, E, G, B. So here is the standard Cmaj7 chord in root position with a drop-two voicing applied:
Now let's see the first inversion. So let’s take the root note and send it to the back of the line. So the chord spelling for first inversion would now be: E, G, B, C. But that note grouping will be hard to play on guitar, so let’s also give it the drop-two voicing. So the new note order would be E, B, C, G.
Here it goes:
What is a chord inversion?
Unless you know chord inversions, which for this lesson I am assuming you don’t, the chords you are used to playing are all in “root position”. This means that the tonic of the chord is the lowest not (the bass note) of the chord. So, for example, in an Cmaj7 chord the bass note of the chord is C. But whenever a note other than the root (tonic) is the bass note, then the chord is an inversion. Make sense?
As you know, most chords are played with three or four notes on guitar. That means that besides the tonic, there are at least two to three other notes that can bee in the bass position. (For example a C major chord is C, E, G. Besides C there are two other notes that can be first. Cmaj7 is C, E, G, B. Besides C there are 3 other notes).
How to make chord inversions
There are three common chord inversions and they’re called first inversion, second inversion and third inversion. In first inversion the 3rd of the chord is the bass note. (It’s called first inversion because the 3rd of the chord is the first note after the tonic). In second inversion the 5th of the chord is in the bass. (Called second inversion because the 5th is the second chord tone after the tonic). And third inversion has the 7th as the bass. (Called third inversion because….well, you get the idea). Not so bad too far, is it?
The drop-two voicing
Before we look at how the three chord inversions are, this would be a good time to make sure you know what “drop-two” chord voicings are because we are going to use them to build or chord inversions to make them easy to play on guitar. So take a moment to read my post on drop-two chord voicings and them come back to this post and continue where you left of. If you already know what a drop 2 chord voicing is then just keep reading.
Playing chord inversions on guitar
Ok, back to the three Cmaj7 chord inversions. Ok. So the notes of Cmaj7 chord are C, E, G, B. So here is the standard Cmaj7 chord in root position with a drop-two voicing applied:
Now let's see the first inversion. So let’s take the root note and send it to the back of the line. So the chord spelling for first inversion would now be: E, G, B, C. But that note grouping will be hard to play on guitar, so let’s also give it the drop-two voicing. So the new note order would be E, B, C, G.
Date Published: Jun 17, 2009 - 1:32 pm
To hear a really cool single by yours truly check it out. I'm on iTunes. The track is Latin American http://bit.ly/4uzkV Downloads @ 99 cents only
If you get the track then send me an email at ianmacshane@gmail.com with your receipt number and I'll send you a really cool PDF file of Guitar chords .
If you get the track then send me an email at ianmacshane@gmail.com with your receipt number and I'll send you a really cool PDF file of Guitar chords .
Date Published: May 07, 2009 - 12:47 pm
The guitar is a transposing instrument. Its pitch sounds one octave lower than it is notated on a score.
A variety of different tunings may be used. The most common tuning, known as "Standard Tuning," has the strings tuned from a low E, to a high E, traversing a two octave range – EADGBE.
The pitches are as follows:
String Scientific pitch Helmholtz pitch Interval from middle C Frequency
first E4 e' major third above 329.63 Hz
second B3 b minor second below 246.94 Hz
third G3 g perfect fourth below 196.00 Hz
fourth D3 d minor seventh below 146.83 Hz
fifth A2 A minor tenth below 110 Hz
sixth E2 E minor thirteenth below 82.41 Hz
The table below shows pitch names found over the six strings of a guitar in standard tuning, from the nut (zero), to the twelfth fret.
A guitar using this tuning can tune to itself using the fact, with a single exception, that the 5th fret on one string is the same note as the next open string; that is, a 5th-fret note on the sixth string is the same note as the open fifth string. The exception is the interval between the second and third strings, in which the 4th-fret note on the third string is equivalent to the open second string.
Standard tuning has evolved to provide a good compromise between simple fingering for many chords and the ability to play common scales with minimal left hand movement. Uniquely, the guitar's tuning allows for repeatable patterns which also facilitates the ease in which common scales can be played.[19] There are also a variety of commonly used alternate tunings – most of which are open tunings that create entire chord voicings without fretting any strings. Many open tunings, where all of the strings are tuned to a similar note or chord, are popular for slide guitar playing. Alternate tunings are used for two main reasons: the ease of playing and the variation in tone that can be achieved.
Many guitarists use a long established, centuries-old tuning variation where the lowest string is 'dropped' down a whole tone. Known as Drop-D (or dropped D) tuning it is, from low to high, DADGBE. This allows for open string tonic and dominant basses in the keys of D and D minor. It also enables simple fifths (powerchords) to be more easily played. Eddie Van Halen sometimes uses a device known as a 'D Tuna,' the patent for which he owns. It is a small lever, attached to the fine tuner of the 6th string on a Floyd Rose tremolo, which allows him to easily drop that string's tuning to a D. Many contemporary rock bands detune all strings by several semi-tones, making, for example, Drop-C or Drop-B tunings, However this terminology is inconsistent with that of "drop-D" as "drop-D" refers to dropping a single string to the named pitch. Often these new tunings are also simply referred to as the "Standard" of the note in question e.g. – "D Standard" (DGcfad').
Some guitarists tune in straight fourths, avoiding the major third between the third and second strings. While this makes playing major and minor triads slightly more difficult, it facilitated playing chords with more complicated extended structures[citation needed]. One proponent of the straight fourth tuning (EADGCF) is Stanley Jordan.
As with all stringed instruments a large number of scordatura are possible on the guitar. A common form of scordatura involves tuning the 3rd string to F♯ to mimic the standard tuning of the lute, especially when playing renaissance repertoire originally written for the lute.
A variety of different tunings may be used. The most common tuning, known as "Standard Tuning," has the strings tuned from a low E, to a high E, traversing a two octave range – EADGBE.
The pitches are as follows:
String Scientific pitch Helmholtz pitch Interval from middle C Frequency
first E4 e' major third above 329.63 Hz
second B3 b minor second below 246.94 Hz
third G3 g perfect fourth below 196.00 Hz
fourth D3 d minor seventh below 146.83 Hz
fifth A2 A minor tenth below 110 Hz
sixth E2 E minor thirteenth below 82.41 Hz
The table below shows pitch names found over the six strings of a guitar in standard tuning, from the nut (zero), to the twelfth fret.
A guitar using this tuning can tune to itself using the fact, with a single exception, that the 5th fret on one string is the same note as the next open string; that is, a 5th-fret note on the sixth string is the same note as the open fifth string. The exception is the interval between the second and third strings, in which the 4th-fret note on the third string is equivalent to the open second string.
Standard tuning has evolved to provide a good compromise between simple fingering for many chords and the ability to play common scales with minimal left hand movement. Uniquely, the guitar's tuning allows for repeatable patterns which also facilitates the ease in which common scales can be played.[19] There are also a variety of commonly used alternate tunings – most of which are open tunings that create entire chord voicings without fretting any strings. Many open tunings, where all of the strings are tuned to a similar note or chord, are popular for slide guitar playing. Alternate tunings are used for two main reasons: the ease of playing and the variation in tone that can be achieved.
Many guitarists use a long established, centuries-old tuning variation where the lowest string is 'dropped' down a whole tone. Known as Drop-D (or dropped D) tuning it is, from low to high, DADGBE. This allows for open string tonic and dominant basses in the keys of D and D minor. It also enables simple fifths (powerchords) to be more easily played. Eddie Van Halen sometimes uses a device known as a 'D Tuna,' the patent for which he owns. It is a small lever, attached to the fine tuner of the 6th string on a Floyd Rose tremolo, which allows him to easily drop that string's tuning to a D. Many contemporary rock bands detune all strings by several semi-tones, making, for example, Drop-C or Drop-B tunings, However this terminology is inconsistent with that of "drop-D" as "drop-D" refers to dropping a single string to the named pitch. Often these new tunings are also simply referred to as the "Standard" of the note in question e.g. – "D Standard" (DGcfad').
Some guitarists tune in straight fourths, avoiding the major third between the third and second strings. While this makes playing major and minor triads slightly more difficult, it facilitated playing chords with more complicated extended structures[citation needed]. One proponent of the straight fourth tuning (EADGCF) is Stanley Jordan.
As with all stringed instruments a large number of scordatura are possible on the guitar. A common form of scordatura involves tuning the 3rd string to F♯ to mimic the standard tuning of the lute, especially when playing renaissance repertoire originally written for the lute.
Date Published: May 06, 2009 - 7:07 pm
In music, a power chord (also fifth chord) is a note plus the note a fifth above, usually played on electric guitar. Theorists are divided on whether the term chord is appropriate, with some requiring the third of the chord for it to be considered an actual chord. Therefore, some would consider it to be a dyad or simply interval. However this usage is accepted among guitar players. In other words, it's a chord with no 3rd.
A power chord is neither major or minor because the intervals between the notes are perfect fifths, and when inverted, perfect fourths. In order for a chord to be considered major or minor the notes in the chord itself must be related by a major or minor interval. However, power chords can 'sound' major or minor to our ears because our brain fills in those missing thirds where it expects them. When the power chord's root is based on a note diatonic in the scale of the song, our ear expects a chord with same root. In addition, such chords are usually played with octave doubling, which makes a different sound than just a 5th.
Power chords are used where a distorted, "overdriven" tone is used, because including the third tends to result in unpleasant harmonics and an indistinct root note when combined with the additional overtones added by an amplifier or distortion pedal. They have the added advantage of being relatively easy to play (see "Fingering" below).
Although the use of the term "power chord" has, to some extent, spilled over into the vocabulary of other instrumentalists, namely keyboard and synthesizer players, it remains essentially a part of rock guitar culture and is most strongly associated with the overdriven electric guitar styles of hard rock, heavy metal, punk rock, and similar genres. When the same interval is found in traditional and classical music, the harmonic interpretation will be much more varied, not necessarily implying a triad with the third degree omitted.
Power chords are sometimes notated 5, as in C5 (C power chord), in which case it specifically refers to playing the root and fifth of the chord, in this case C and G, possibly inverted, and possibly with octave doublings.
A power chord is neither major or minor because the intervals between the notes are perfect fifths, and when inverted, perfect fourths. In order for a chord to be considered major or minor the notes in the chord itself must be related by a major or minor interval. However, power chords can 'sound' major or minor to our ears because our brain fills in those missing thirds where it expects them. When the power chord's root is based on a note diatonic in the scale of the song, our ear expects a chord with same root. In addition, such chords are usually played with octave doubling, which makes a different sound than just a 5th.
Power chords are used where a distorted, "overdriven" tone is used, because including the third tends to result in unpleasant harmonics and an indistinct root note when combined with the additional overtones added by an amplifier or distortion pedal. They have the added advantage of being relatively easy to play (see "Fingering" below).
Although the use of the term "power chord" has, to some extent, spilled over into the vocabulary of other instrumentalists, namely keyboard and synthesizer players, it remains essentially a part of rock guitar culture and is most strongly associated with the overdriven electric guitar styles of hard rock, heavy metal, punk rock, and similar genres. When the same interval is found in traditional and classical music, the harmonic interpretation will be much more varied, not necessarily implying a triad with the third degree omitted.
Power chords are sometimes notated 5, as in C5 (C power chord), in which case it specifically refers to playing the root and fifth of the chord, in this case C and G, possibly inverted, and possibly with octave doublings.
Date Published: Apr 01, 2009 - 9:38 pm
A guitar chord is a chord, a collection of tones usually sounded together at once, played on a guitar.
Chord voicings designed for the guitar can be optimized for many different purposes and playing styles. Guitar chords can be composed of notes played on only a few strings at a time, whether occurring on adjacent strings or not, or on all the strings.
The instrument is generally very capable and versatile for chording purposes, but it does exhibit some differences with other instruments. Most guitars only have six strings, which means that for the very largest of chord-voicings it's often necessary to drop or omit one or more tones from the chord; this is typically the root or fifth. The layout of notes on the fretboard sometimes demands that the notes in a chord do not run in tonal order, or makes possible a chord which is composed of more than one note of exactly the same pitch. Many chords can be played with exactly the same notes in more than one place on the fretboard.
Guitars can vary both in the number of strings they have, and in the way they're tuned. Most guitars used in popular music have six-strings and are tuned (from the lowest pitched string to the highest): E-A-D-G-B-E. The internal intervals present among adjacent strings in this tuning can be written 5-5-5-4-5 (being mostly perfect fourth intervals plus one major third interval near the middle). Conventionally, the string with the highest pitch (the thinnest) is called the first string, and the string having the lowest pitch is called the sixth.
Chord voicings designed for the guitar can be optimized for many different purposes and playing styles. Guitar chords can be composed of notes played on only a few strings at a time, whether occurring on adjacent strings or not, or on all the strings.
The instrument is generally very capable and versatile for chording purposes, but it does exhibit some differences with other instruments. Most guitars only have six strings, which means that for the very largest of chord-voicings it's often necessary to drop or omit one or more tones from the chord; this is typically the root or fifth. The layout of notes on the fretboard sometimes demands that the notes in a chord do not run in tonal order, or makes possible a chord which is composed of more than one note of exactly the same pitch. Many chords can be played with exactly the same notes in more than one place on the fretboard.
Guitars can vary both in the number of strings they have, and in the way they're tuned. Most guitars used in popular music have six-strings and are tuned (from the lowest pitched string to the highest): E-A-D-G-B-E. The internal intervals present among adjacent strings in this tuning can be written 5-5-5-4-5 (being mostly perfect fourth intervals plus one major third interval near the middle). Conventionally, the string with the highest pitch (the thinnest) is called the first string, and the string having the lowest pitch is called the sixth.
Date Published: Apr 01, 2009 - 9:34 pm
So many books and material out there, but be careful when you invest because some are better than others. You can't go wrong with some publishers like Hal Leonard. They seem to get it right and have an Amazing selection.
Best Selling Hal Leonard books
Some of these books come with a CD and some don't but they cost even less without the CD even though they are the same title. I recommend the The Hal Leonard Acoustic Guitar Method: A Complete Guide with Step-by-Step Lessons and 45 Great Acoustic Songs
I've purchased this one myself and it is the perfect book for beginners and has a great choice in there. So what you buy is crucial because it's like you have a great teacher or a teacher that sucks in what you study bookwise. So one day you can play like Johnny Guitar and be the toast of the town.
Now the Complete Guide comes in 3 Volumes so if you don't want to have to get the 2nd and third later then there is the Complete Series with CD as well.
Of course this is for the Acoustic Guitar and for any beginners out there I recommend learning on the Acoustic first before the Electric just because it will make you a better player in the long run due to the wider neck of the Acoustic.
Best Selling Hal Leonard books
Some of these books come with a CD and some don't but they cost even less without the CD even though they are the same title. I recommend the The Hal Leonard Acoustic Guitar Method: A Complete Guide with Step-by-Step Lessons and 45 Great Acoustic Songs
I've purchased this one myself and it is the perfect book for beginners and has a great choice in there. So what you buy is crucial because it's like you have a great teacher or a teacher that sucks in what you study bookwise. So one day you can play like Johnny Guitar and be the toast of the town.
Now the Complete Guide comes in 3 Volumes so if you don't want to have to get the 2nd and third later then there is the Complete Series with CD as well.
Of course this is for the Acoustic Guitar and for any beginners out there I recommend learning on the Acoustic first before the Electric just because it will make you a better player in the long run due to the wider neck of the Acoustic.
Date Published: Mar 07, 2009 - 9:31 pm
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When you gain access to this $4,093.74 Members-Only Site for only $27* per month - you will get some of the most compelling, life-changing lectures, interviews, and product reviews ever assembled into one place.The Top 5 worst things you can ever put into your body...
Date Published: Jan 29, 2009 - 7:33 pm
The Site youre about to visit.... 62.5% of our members give the site an A+ - saying it's the ABSOLUTE best website they have ever seen!
How the physiological structure of your face and body change with raw and living foods. How to eliminate skin irregularities. How to strengthen and brighten your eyes. How to stimumulate natural collagen production. And so much more!
Have your Best Day Ever
Okay let's figure out what i'm saying. If you pick up a guitar you need to be in peak condition to get the most out of your instrument. I've just signed up myself to get my body to the stage where every day is my Best Day Ever
If youre energy is low, don't play guitar!! That's right. If youre down youre playing will be suffering. Your efforts will be thwarted. You need to feel healthy to play your best, to learn your best. That's why i'm so excited to find this amazing site. I want my Best Day Ever everyday.
How the physiological structure of your face and body change with raw and living foods. How to eliminate skin irregularities. How to strengthen and brighten your eyes. How to stimumulate natural collagen production. And so much more!
Have your Best Day Ever
Okay let's figure out what i'm saying. If you pick up a guitar you need to be in peak condition to get the most out of your instrument. I've just signed up myself to get my body to the stage where every day is my Best Day Ever
If youre energy is low, don't play guitar!! That's right. If youre down youre playing will be suffering. Your efforts will be thwarted. You need to feel healthy to play your best, to learn your best. That's why i'm so excited to find this amazing site. I want my Best Day Ever everyday.
Date Published: Jan 01, 2009 - 8:04 pm
Rhythm is hard to obtain if your'e white and can't dance. (Guilty) So nothing better is to take the challenge and try some Latin American Rhythm. I did so a good few years ago back in South Africa, Johannesburg. I'm proud of the tracks we recorded. They really are cool. You can hear the obvious leanings towards Beatlesque solo'ing in my playing here. It's quite interesting to see how I adapted my love of English Rock Guitar into the track. I managed to get my track onto iTunes. You can check it out from first going here.
and from there you can hear it on iTunes.
If you do me the great favor of spending the 99 cents to download please visit back here and let me know. I will return the favor by sending you some really cool Music Tab's in Ebook format.
So back to what I was talking about. Rhythmically Latin American is challenging as there are usually fast chord changes and you have to keep time. Mostly 8 beats to the bar it's a workout to be at the top of your game when you approach this style of playing. Think of those Flamenco dancers and what they normally dance to.
We were influenced greatly by that excellent album and movie done by Ry Cooder. If you haven't seen the movie and you dig guitar then go rent this. It's called Buena Vista Social Club
with Ry Cooder. Ry Cooder is world famous for his guitar playing and here he did an amazing Documentary style movie with forgotten Cuban musicians. In so doing he brought them out of the shadows and they became famous all over again. Great stuff. I HIGHLY Recommend this Album or the Movie whichis even better. Buena Vista Social Club
Movie. Great Stuff !! If you are a musician you will be moved by this movie.
and from there you can hear it on iTunes.
If you do me the great favor of spending the 99 cents to download please visit back here and let me know. I will return the favor by sending you some really cool Music Tab's in Ebook format.
So back to what I was talking about. Rhythmically Latin American is challenging as there are usually fast chord changes and you have to keep time. Mostly 8 beats to the bar it's a workout to be at the top of your game when you approach this style of playing. Think of those Flamenco dancers and what they normally dance to.
We were influenced greatly by that excellent album and movie done by Ry Cooder. If you haven't seen the movie and you dig guitar then go rent this. It's called Buena Vista Social Club
with Ry Cooder. Ry Cooder is world famous for his guitar playing and here he did an amazing Documentary style movie with forgotten Cuban musicians. In so doing he brought them out of the shadows and they became famous all over again. Great stuff. I HIGHLY Recommend this Album or the Movie whichis even better. Buena Vista Social ClubMovie. Great Stuff !! If you are a musician you will be moved by this movie.
Date Published: Dec 16, 2008 - 9:30 pm
How do you get frustrated when you start playing guitar?
Apart from the learning curve of everything involved, the one big factor is your fingers will be feeling like the are being tortured each time you sit down to play.
I remember this well as a beginner back when I started. This is what lead me to write this post.
There is no quick fix but once you keep at it your skin on the tip's of your fingers will realize that something is up and will start to develop more skin to cover the soft skin that was there. Then guess what? It keeps doing just that and forms what we call a callous. Dictionary translation ( v : make insensitive or callous). That's exactly what we want. Make insensitive so that your fingers don't care how long or how much pressure you are applying.
What sucks?
Stop playing for a week or two and your callouses will soften.
What's the fix? Never stop playing.
What's the payoff? You can actually play the guitar. Now get to it.
Apart from the learning curve of everything involved, the one big factor is your fingers will be feeling like the are being tortured each time you sit down to play.
I remember this well as a beginner back when I started. This is what lead me to write this post.
There is no quick fix but once you keep at it your skin on the tip's of your fingers will realize that something is up and will start to develop more skin to cover the soft skin that was there. Then guess what? It keeps doing just that and forms what we call a callous. Dictionary translation ( v : make insensitive or callous). That's exactly what we want. Make insensitive so that your fingers don't care how long or how much pressure you are applying.
What sucks?
Stop playing for a week or two and your callouses will soften.
What's the fix? Never stop playing.
What's the payoff? You can actually play the guitar. Now get to it.
Date Published: Dec 09, 2008 - 10:24 am
Up to $75 in Instant Rebates with MF23 Coupon ... go there and use this coupon.
Date Published: Nov 18, 2008 - 11:50 am
Jimi Hendrix's Drummer passed away today. What a loss to the Music world this is.
Mitch Mitchell, the jazzy and very versatile drummer for the Jimi Hendrix Experience.
He passed on Wednesday and was on tour at the time in Oregon.
He was actually doing a nationwide tribute tour called the Experience Hendrix.
Poor guy. Only 62 and no longer will we hear his skillful playing. With the passing of Mitch this means that the Jimi Hendrix Experience is over as Noel Redding who was the Bassist passed away on 2003 so there we have it. The fabulous Jimi is now with the other two and playing up in heaven.
Mitch Mitchell, the jazzy and very versatile drummer for the Jimi Hendrix Experience.
He passed on Wednesday and was on tour at the time in Oregon.
He was actually doing a nationwide tribute tour called the Experience Hendrix.
Poor guy. Only 62 and no longer will we hear his skillful playing. With the passing of Mitch this means that the Jimi Hendrix Experience is over as Noel Redding who was the Bassist passed away on 2003 so there we have it. The fabulous Jimi is now with the other two and playing up in heaven.
Date Published: Nov 13, 2008 - 11:50 am
It's all about timing. If you don't own a metronome and practice with one you are out of time. Did you hear me? You cannot play and practice guitar without a metronome.
If you aren't in tune you won't want to keep on trying to get your timing in tune. Get it? Timing and tuning all in one. Ha ha. What I mean is you should get your grubby hands on this excellent tuner and metronome all in one... Plus if you go from here you will get a 38% savings.
Korg TM-40 Large Display Digital Tuner and Metronome
If you aren't in tune you won't want to keep on trying to get your timing in tune. Get it? Timing and tuning all in one. Ha ha. What I mean is you should get your grubby hands on this excellent tuner and metronome all in one... Plus if you go from here you will get a 38% savings.
Korg TM-40 Large Display Digital Tuner and Metronome
Date Published: Oct 30, 2008 - 9:05 pm
